- Bill Viola: The Passing
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- THE PASSING. AN HOMAGE TO BILL VIOLA
Bill Viola: The Passing
Bill Viola. The Passing. Video (black and white, sound). min.. Purchase. © Bill Viola. Courtesy Electronic Arts Intermix (EAI), New.the per per watch once upon a time online watch series punto mobili palermo corso calatafimi descrizione oggettiva e soggettiva di un animale
A permeable conduit between reality and surreality. Viola, placed at the center of this personal exploration of altered time and space, represents his mortality in such forms as a glistening newborn baby, his deceased mother, and the artist himself, floating, submerged under water. Starkly yet poignantly rendered in black and white, The Passing re-enforces the notion of a permeable conduit between reality and surreality. An irrepressible soundtrack of Viola's labored breathing in sleeping and wakefulness serves to pull the viewer through an otherworldly topography. Verified purchase: No.
Magazine article Artforum International. One of the most important events in the last thirty years of art history has been the use of the new, populist, commercial technology of television in the service of what may be art's most ancient and esoteric ambition: the articulation of those inarticulate states of being, the almost unnameable sensations and feelings that traverse the subject's interior silence. Seemingly too elusive, too protean, to bring into focus, these states seem to force us to regard them skeptically--as mirages, swiftly changing currents, too transient to be influential. In fact they are the eddies of the unconscious' undertow. The question is: can television evoke them without rationalizing away their intense and uncanny meaningfulness? Can it declare them in all the intricacy so unsettling to ordinary conciousness and experience?
Dec 9, Up next. Bill Viola Interview: Cameras are Keepers of the Souls - Duration: Louisiana Channel 25, views · Play next; Play now.
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The Passing hauntingly travels the terrains of the conscious, the subconscious, and the desert landscapes of the Southwest, melding sleep, dreams and the drama of waking life into a stunning masterpiece. Viola, placed at the center of this personal exploration of altered time and space, represents his mortality in such forms as a glistening newborn baby, his deceased mother, and the artist himself, floating, submerged under water. Starkly yet poignantly rendered in black and white, The Passing re-enforces the notion of a permeable conduit between reality and surreality. An irrepressible soundtrack of Viola's labored breathing in sleeping and wakefulness serves to pull the viewer through an otherworldly topography. Engineering: Thomas Piglin.
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Sign in. - License this image. Viola has taken the form of the triptych, traditionally used in Western art for religious paintings, to represent, through the medium of video, his own contemporary form of spiritual iconography.
THE PASSING. AN HOMAGE TO BILL VIOLA
This was also the first exhibition dedicated to video art in the history of the Galerie nationales du Grand Palais, a huge site for cultural commemoration, preservation, and canonised art that on this occasion became a spectacular context for showing what the medium of video is. Where am I? Where am I going? The cycle of life from birth to death, the practice of introspection, the relationship between landscape and mankind, the ideas of transcendence and transfiguration these are the great themes that Viola offered in this exhibition. Although the retrospective began with the grainy and trembling projection of The Reflecting Pool , one of his first works, and ended with the seven high-resolution screens of The Dreamers , the 20 works of art presented in between were not in chronological order. As Maria Rosa Sossai writes, the presence of water.
Bill Viola's The Passing is fifty-four minutes of visual comment on the themes of birth, life, and death. At times the grainy greys of this video make us feel like we're watching a sonogram. And in a way, we are. This is the work Viola made when he was forty, smack between his mother's last years and the birth of his son. The video is filled with images of water that contrast with stark, moody, desert landscapes. Viola appears as a restless sleeper as well as a man underwater.
Jul 15, Bill Viola; The Passing; ; In memory of Wynne Lee Viola; Videotape, black- and-white, mono sound; 54 minutes Photo: Kira Perov.
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